Published in The Observer February 16, 2020
It’s often said that Nora’s slam of the door as she walks out on her husband and children at the end of A Doll’s House has echoed down the centuries. In Stef Smith’s smart new version of Ibsen’s 1879 play, her story certainly reverberates: Smith reimagines Nora in 1918, in 1968, and in 2018.
Continue reading “Review: Nora: A Doll’s House, Young Vic”
Published in The Observer January 28, 2020
If you’ve read so much as a sentence of Eimear McBride’s writing, it is likely to have burned into your brain. Her first two novels, A Girl Is a Half-Formed Thing and The Lesser Bohemians, were both written with a ferocious immediacy, in hurtling, viscerally direct prose that captures pre-verbal thought processes “far back in the mind”, as McBride put it.
Continue reading “Review: Strange Hotel, Eimear McBride”
Published in BBC Culture December 2, 2020
Diversity has become a buzzword in the entertainment industries – and if there’s still debate about how much things are really changing, or if moves towards greater representation are too often mere lip service or box ticking, the diversity conversation is at least being had. Do badly, and it will get called out.
Continue reading “Will disabled people ever get the stories they deserve?”
Published in The FT November 25, 2019
We all know that our data can be bought and sold. The trail of personal information, purchases and preferences we leave across the internet becomes the bedrock for targeted advertising. But could such data be put to more creative use?
Continue reading “The shows where drama meets data”
Published in The TLS November 22, 2019
IAN MCKELLEN The biography Garry O’Connor
BEHIND THE LENS My life David Suchet
Continue reading “Gandalf pays!”
Published by The Independent June 22, 2019
Two ageing, fading Irish gangsters sit in the port of Algeciras, watching and waiting for 23-year-old named Dilly, who they believe to be heading by ferry from Spain to Morocco. Actually, scrap that – there’s nothing faded about Maurice Hearne and Charlie Redman.
Continue reading “Review: Night Boat to Tangier by Kevin Barry”
Published in Time Out June 20, 2019
Really, what is the point? Why stage this? I write with weariness, not anger. Because it’s all too tiresome, and too predictable. Turns out, nope, we really didn’t need a Harvey Weinstein play, written by a man and from a male perspective. The whole thing leaves you feeling… grubby.
Continue reading “Review: Bitter Wheat, Garrick Theatre”
Published in The Independent June 14, 2019
It’s 25 years since the Spice Girls formed, and their reunion tour – minus Victoria Beckham, who gets a dig on “Wannabe” (“Easy V: where is she?”) – has packed out Wembley for three nights.
Continue reading “Review: Spice Girls, Wembley Stadium”
Published by Oh Comely in June 5, 2019
A comedian and actor, Doon Mackichan has worked as a stand-up and in influential TV comedies such as The Day Today, Brass Eye and Smack the Pony.
Continue reading “A chat with Doon Mackichan”
Published in BBC Culture June 4, 2019
“Change is life.” So said Lee Krasner, in an interview in 1972 – in doing so, the artist captured a truth about her work as well an essential fact of human existence. As an artist, she never stayed still; unlike many of the other Abstract Expressionists she’s sometimes grouped with, Krasner never developed a signature style, but instead remained restlessly reinventive.
Continue reading “Lee Krasner: The wild artist who brought colour to dazzling life”