Published in The Observer March 1, 2029
Listen to the opening number of the Peruvian-born producer Sofia Kourtesis’s first, self-titled EP, and you imagine a train made of rackety sonic junk clattering down a track. Its destination? A good time, surely: while her brand of house may be arrestingly distinct, clicking and juddering with distorted vocals and fragments of field recordings, she always keeps her eyes firmly on the dancefloor rather than the navel.
Continue reading “One to watch: Sofia Kourtesis”
Published in The Observer February 16, 2020
It’s often said that Nora’s slam of the door as she walks out on her husband and children at the end of A Doll’s House has echoed down the centuries. In Stef Smith’s smart new version of Ibsen’s 1879 play, her story certainly reverberates: Smith reimagines Nora in 1918, in 1968, and in 2018.
Continue reading “Review: Nora: A Doll’s House, Young Vic”
Published in The Observer January 28, 2020
If you’ve read so much as a sentence of Eimear McBride’s writing, it is likely to have burned into your brain. Her first two novels, A Girl Is a Half-Formed Thing and The Lesser Bohemians, were both written with a ferocious immediacy, in hurtling, viscerally direct prose that captures pre-verbal thought processes “far back in the mind”, as McBride put it.
Continue reading “Review: Strange Hotel, Eimear McBride”
Some exciting news: I have signed to RCW literary agency for a currently work-in-progress novel. My agent is Tristan Kendrick, who I am thrilled to be working with as the book progresses.
The story imagines one couple meeting at three different points during the 20th century, looking at how changes in class, gender and social mobility impact on a relationship.
Alongside the actual writing, I’m conducting oral histories with people who lived through the late 1940s/early 1950s, the late 60/early 70s, and the late 80s/90s as research. I’ll be putting up some posts about that process as I go along, as well as more general reflections on the writing process.
Published in BBC Culture December 2, 2020
Diversity has become a buzzword in the entertainment industries – and if there’s still debate about how much things are really changing, or if moves towards greater representation are too often mere lip service or box ticking, the diversity conversation is at least being had. Do badly, and it will get called out.
Continue reading “Will disabled people ever get the stories they deserve?”
Published in The Independent November 14, 2019
The capital of Senegal may be a far cry from tourist resorts down the coast – but this city is also fringed by beaches of its own. Catch some surf – or just some rays – when the pace of this bustling, dusty city gets too much, but do make sure you plug into Dakar’s vibrant cultural life too.
Continue reading “Dakar city guide: where to eat, drink, shop, and stay”
Published in BBC Culture November 14, 2019
In 2017, Florence Schechter discovered that Iceland had a penis museum, but that nowhere in the world could its female equivalent be found. And so, the science communicator decided to do something about it. This month, in London, the Vagina Museum will be born.
Continue reading “How vaginas are finally losing their stigma”
Published by Exeunt November 8, 2020
“Kosovo is the most isolated country in Europe; the citizens are the only ones that can’t travel freely without visas. And so the theatre, too, is isolated.” Jeton Neziraj is on a mission to change that.
Continue reading “Kosovo Theatre showcase”
Published in The FT November 25, 2019
We all know that our data can be bought and sold. The trail of personal information, purchases and preferences we leave across the internet becomes the bedrock for targeted advertising. But could such data be put to more creative use?
Continue reading “The shows where drama meets data”
Published in The TLS November 22, 2019
IAN MCKELLEN The biography Garry O’Connor
BEHIND THE LENS My life David Suchet
Continue reading “Gandalf pays!”