Review: Nora: A Doll’s House, Young Vic

Published in The Observer February 16, 2020

It’s often said that Nora’s slam of the door as she walks out on her husband and children at the end of A Doll’s House has echoed down the centuries. In Stef Smith’s smart new version of Ibsen’s 1879 play, her story certainly reverberates: Smith reimagines Nora in 1918, in 1968, and in 2018.

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Review: Strange Hotel, Eimear McBride

Published in The Observer January 28, 2020

If you’ve read so much as a sentence of Eimear McBride’s writing, it is likely to have burned into your brain. Her first two novels, A Girl Is a Half-Formed Thing and The Lesser Bohemians, were both written with a ferocious immediacy, in hurtling, viscerally direct prose that captures pre-verbal thought processes “far back in the mind”, as McBride put it.

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Will disabled people ever get the stories they deserve?

Published in BBC Culture December 2, 2020

Diversity has become a buzzword in the entertainment industries – and if there’s still debate about how much things are really changing, or if moves towards greater representation are too often mere lip service or box ticking, the diversity conversation is at least being had. Do badly, and it will get called out.

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Review: Bitter Wheat, Garrick Theatre

Published in Time Out June 20, 2019

Really, what is the point? Why stage this? I write with weariness, not anger. Because it’s all too tiresome, and too predictable. Turns out, nope, we really didn’t need a Harvey Weinstein play, written by a man and from a male perspective. The whole thing leaves you feeling… grubby.

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Lee Krasner: The wild artist who brought colour to dazzling life

Published in BBC Culture June 4, 2019

“Change is life.” So said Lee Krasner, in an interview in 1972 – in doing so, the artist captured a truth about her work as well an essential fact of human existence. As an artist, she never stayed still; unlike many of the other Abstract Expressionists she’s sometimes grouped with, Krasner never developed a signature style, but instead remained restlessly reinventive.

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