Published in Time Out October 22, 2019
We may need to eat to live, but food is rarely just fuel: it’s ritual, it’s celebration, it’s sex; a signifier of good or bad taste, status or aspiration, individual or national identity.
Continue reading “Review: Feast for the Eyes, Photographers’ Gallery”
Published in BBC Culture October 21, 2019
The backdrop to the portraits is Tahiti. The sitters are feminine, sensual, proffering ripe fruits and wearing flower garlands. The colours are bright: tropical yellows, hot pinks, mango orange and cobalt blue.
Continue reading “Gauguin’s ‘strange, beautiful and exploitative’ paintings”
Published in BBC Culture June 4, 2019
“Change is life.” So said Lee Krasner, in an interview in 1972 – in doing so, the artist captured a truth about her work as well an essential fact of human existence. As an artist, she never stayed still; unlike many of the other Abstract Expressionists she’s sometimes grouped with, Krasner never developed a signature style, but instead remained restlessly reinventive.
Continue reading “Lee Krasner: The wild artist who brought colour to dazzling life”
Published in The Independent February 2, 2019
If you’re a British woman, you’ve probably got Mary Quant in your wardrobe. OK, maybe not literally – but if there’s a sleeveless shift or a tunic dress, a Peter Pan collar or a skinny-rib sweater, a pair of brightly coloured tights or even a PVC raincoat, you’re wearing Quant. And that’s before mentioning her most famous creation: the miniskirt.
Continue reading “More than just a miniskirt: Two exhibitions reveal how Mary Quant shaped our world”
Brangelina, Kimye, Hiddleswift… you could be forgiven for thinking the celebrity portmanteau name was an invention of the 21st Century. But today’s creative couples surely have nothing on the delightful ‘PaJaMa’: an amalgam of Paul Cadmas, Jared French and Margaret French, to reflect the interdependence of their relationship and artistic practice. From 1937 on, they lived as a polyamorous trio for 20 years. Continue reading “The art of the ménage à trois”
A reportage illustrator specialising in travel and current affairs, George Butler, 33, has worked in Syria, Iraq and Afghanistan. In 2014 he helped establish the Hands Up Foundation to fund health and education services in Syria. A new exhibition of his work, Anima Mundi: Drawn Stories of Migration, will be at Bankside Gallery, London, 20-25 November. Butler grew up in Oxforshire and is now based in south London. Continue reading “George Butler: ‘Because people are watching as I draw, it’s by permission and honest’”
When you think of LSD, a very specific aesthetic probably leaps to mind: the psychedelic pink-and-orange swirls of the 60s; naked people with flowers in their hair; the shimmer of a sitar. After its psychedelic properties were accidentally discovered in the lab by Albert Hofmann in 1943, the drug was banned in the UK in 1966. LSD is still most strongly associated with hippies who embraced its mind-expanding properties. Continue reading “How LSD influenced Western culture”
Christian Marclay’s video installation “The Clock” is functional: The 24-hour montage of film and TV clips featuring clocks and watches actually tells the time. I spent a day and night at the Tate Modern watching it for the New York Times; read the full feature here
“The works shall speak for themselves.” So wrote Artemisia Gentileschi in 1649, in a letter to a patron acknowledging her rare position in the art world at that time: a painter, and a woman. Although all too aware that she had a harder job being taken seriously, she had faith in her talent, her work. Continue reading “The artist who triumphed over her shocking rape and torture”
Could there be a better time for a show about Frida Kahlo? The vision presented at the V&A is a female icon who documented her self, and her suffering. A third of her paintings were self-portraits; she posed for her father’s camera from a young age. An art star for the selfie age. Continue reading “Frida Kahlo at the V&A: Forget the £245 flower crowns and lipsticks and look at the work”