Why Alice is the ultimate icon of children’s books

Published in BBC Culture May 12, 2021

For books that are all about surprising transformations, it should perhaps be no real surprise that Alice’s Adventures in Wonderland and Through the Looking-Glass are among the most frequently adapted and reinterpreted stories ever written.

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Rehearsing Othello on Zoom: the theatre students pursuing their dream during a pandemic

Published in The Evening Standard January 21, 2021

While 2020 may be behind us, the new year brings continued uncertainty for the UK’s theatre industry. And if the situation is bleak for staff and freelancers facing shuttered venues, it’s surely even tougher for the next generation of talent: young people still studying – who have had to return to remote learning online this month, as schools and colleges shut once more – as well as those who graduated last summer with little chance of working.

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Review: On Connection, Kae Tempest

Published in The Observer October 25, 2020

Kae Tempest has added one more string to an already crowded bow: On Connection is the first nonfiction work by this Mercury prize-winning musician, Ted Hughes award-winning poet, acclaimed playwright, novelist, and chief creative chronicler of the last decade. It’s also Tempest’s first publication since changing their name from Kate, and using they/them pronouns.

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How Björk has helped me heal from heartbreak

Published in BBC Culture August 21, 2020

We often hear about break-up albums – records made by artists in the throes of heartbreak, destined to be listened to on repeat by fans when they have their own wounds to lick. But there’s also a lesser-recognised musical phenomenon: the putting-yourself-back-together record.

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One to watch: Sofia Kourtesis

Published in The Observer March 1, 2020

Listen to the opening number of the Peruvian-born producer Sofia Kourtesis’s first, self-titled EP, and you imagine a train made of rackety sonic junk clattering down a track. Its destination? A good time, surely: while her brand of house may be arrestingly distinct, clicking and juddering with distorted vocals and fragments of field recordings, she always keeps her eyes firmly on the dancefloor rather than the navel.

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How Britain is facing up to its hidden slavery history

Published in BBC Culture February 3, 2020

If we hear at all about Britain’s involvement in slavery, there’s often a slight whiff of self-congratulation – for abolishing it in 1833, 32 years ahead of the US, where the legacy of slavery is still more of an open wound. Less well known, however, is the enormous cost of this decision for the taxpayer – the British government spent £20 million, a staggering 40% of its budget in 1833, to buy freedom for slaves.

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Review: Green Man Festival

Published in The Independent August 19, 2019

Now in its 17th year, Green Man festival sold out again in record time. But it’s easy to see why revellers loyally return year after year – and it’s not just for the music. Set in one of the most beautiful festival sites in the UK, on the Glanusk estate in south Wales, its outdoor stages are framed by the Black Mountains.

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Cate Le Bon: ‘I’d play piano to stop thinking about chairs’

Published in the i May 23, 2019

Cate Le Bon has spent just over a decade carving her own musical niche, via surreal lyrics sung in a deep, deadpan voice, angular guitar parts and wonky, ear-snagging melodies. I’m meeting her ostensibly to talk about her fifth album, Reward. Instead, we’re chatting about furniture.

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