Can a subject be too interesting for drama? That was playwright James Phillips’s fear when he began to think about the life of the late great, fashion iconoclast Alexander McQueen. For though McQueen’s life as the East End lad who became the “bad boy of British fashion” was eventful, he worried about writing a show which delivered salaciousness, but missed the creative spark. Continue reading “McQueen: how to bring the fashion designer’s genius to the West End”