“We live in a dystopia now.” So claims playwright Dawn King.
“We’re walking round with these tiny computers in our pockets: your government probably knows everything about you; your phone company definitely knows everything about you – even your calorie intake; you spread all this information everywhere you go, and yet at the same time there are boatloads of people dying to get into a country like ours …. We live in the future and the future’s kind of failed us.” Continue reading “From A Brave New World to 1984: why dystopian novels are invading the theatre”
The Bronte sisters wrote fiction with an exceptionally vibrant afterlife: Wuthering Heights, Jane Eyre and their characters still loom large, thanks to endless adaptations from prestige films to pop songs, and umpteen fictional re-writes, updatings, prequels and sequels. Continue reading “Review: The Lost Child, Caryl Phillips”
Beginning at the end is Melissa Harrison’s tactic: the reader is witness to an accident, two cars “spent and ravished”, three bodies. This casts some suspense over the story that follows, but the novel is as much a hymn to the ancient life-force of nature as it is a reminder of the underlying fragility of our busy modern world.
At Hawthorn Time is rooted in the English countryside, cataloguing it as April turns to May, and Harrison writes with impressive detail about our hedgerows, fields, and woodlands. Meanwhile, the human perspective on the changing seasons is three-fold. There’s Jack, a wandering visionary, often locked up for vagrancy, but who has a deep connection with the land. Continue reading “Review: At Hawthorn Time, Melissa Harrison”
In the life of Virginia Woolf – and her friends, lovers and rivals – Norah Vincent has rich, if frequently plundered, source material. Bloomsbury’s tangled, talented lives provoke as much interest as their art, and this is at least the third novel about Woolf in the past year.
Written elegantly in rather Woolfian free indirect style, and with spiky, erudite dialogue, Vincent’s portraits are grounded in thick historical research. In truth, Adeline groans with it – would these people really spell out the importance of friends’ (now-famous) books or enumerate their (now-infamous) sexual histories in conversation? Vincent is, however, assured enough to do a rare thing: to really ventriloquise Woolf on the topic of her work and creative imagination. Continue reading “Review: Adeline – a Novel of Virginia Woolf, Norah Vincent”
“When I sign books for men, I often put ‘there’s a little bit of Don Tillman in all of us’,” says Graeme Simsion.
We’ve met to talk about Don – his hugely successful comic character, an on-the-spectrum Australian genetics professor. Don burst on to the fiction charts in The Rosie Project last year, wielding questionnaires and schedules in his quest to find love. Inevitably, meeting a spirited young woman named Rosie soon derailed his methodical plans. Continue reading “Graeme Simsion on writing the sequel to The Rosie Project”