Tennessee Williams’ once rejected the idea of the “straight realistic play with its genuine Frigidaire and authentic ice cubes”. Here, director Benedict Andrews plonks a whole great sack of them at the front of the stage, next to four bottles of whisky. Continue reading “Review: Cat on a Hot Tin Roof, Apollo Theatre”
Shakespeare plays apparently being like proverbial buses, the third major production of Measure for Measure in 2015 is about to open at the Young Vic in London; it follows Cheek by Jowl’s version at the Barbican and another at Shakespeare’s Globe. This glut is all the more unexpected given that it’s hardly a bankable big-hitter; Measure for Measure is a comparatively little-seen “problem play”, which has a troubling blend of tragic and comic elements. Continue reading “Making Measure for Measure for modern times”
“We live in a dystopia now.” So claims playwright Dawn King.
“We’re walking round with these tiny computers in our pockets: your government probably knows everything about you; your phone company definitely knows everything about you – even your calorie intake; you spread all this information everywhere you go, and yet at the same time there are boatloads of people dying to get into a country like ours …. We live in the future and the future’s kind of failed us.” Continue reading “From A Brave New World to 1984: why dystopian novels are invading the theatre”