Published in BBC Culture December 2, 2020
Diversity has become a buzzword in the entertainment industries – and if there’s still debate about how much things are really changing, or if moves towards greater representation are too often mere lip service or box ticking, the diversity conversation is at least being had. Do badly, and it will get called out.
Continue reading “Will disabled people ever get the stories they deserve?”
Published in BBC Culture November 14, 2019
In 2017, Florence Schechter discovered that Iceland had a penis museum, but that nowhere in the world could its female equivalent be found. And so, the science communicator decided to do something about it. This month, in London, the Vagina Museum will be born.
Continue reading “How vaginas are finally losing their stigma”
Published in The TLS November 22, 2019
IAN MCKELLEN The biography Garry O’Connor
BEHIND THE LENS My life David Suchet
Continue reading “Gandalf pays!”
It all started here: one woman, on stage, telling a story. In 2013, Fleabag opened in a small, dank fringe space in Edinburgh, before Phoebe Waller-Bridge turned it into a beloved, era-defining TV comedy, the show that launched her career – and a thousand think pieces.
Continue reading “Review: Fleabag, Wyndham’s Theatre: It’s still brilliant”
Published in The FT August 22, 2019
“It is enough for us to state the simple fact; Orlando was a man till the age of 30; when he became a woman and has remained so ever since.” Virginia Woolf’s novel Orlando was published in 1928, yet contains an expression of gender fluidity that feels as fresh and matter of fact as if it were written today.
Continue reading “Why Virginia Woolf’s Orlando speaks to gender fluidity today”
Published by Oh Comely in June 5, 2019
A comedian and actor, Doon Mackichan has worked as a stand-up and in influential TV comedies such as The Day Today, Brass Eye and Smack the Pony.
Continue reading “A chat with Doon Mackichan”
Published in the i May 29, 2019
Andrea Dunbar is back in Bradford – and back down the pub. After writing three scorchingly honest, brutal comedy-dramas – The Arbor, Rita Sue and Bob Too, and Shirley – about life on the Buttershaw estate in Bradford, the playwright died of a brain haemorrhage in a pub toilet in 1990 at the age of 29.
Continue reading “Andrea Dunbar: does the revival of interest in a working-class genius focus too much on her troubled personal life?”
Published in the i March 29, 2019
Heard the one about the Quaker? Probably not. After all, the thing Quakers are famous for is being quiet (oh, and oats – but don’t get me started on that marketing lie). The Religious Society of Friends, to give them their fuller name, worship in silence – sitting together in a kind of collective spiritual contemplation – and this unshowy form of faith hasn’t exactly provided many punchlines.
Continue reading “Catastrophe and Fleabag have caught on to the comedic potential of the Quaker meeting”
Published in The Observer March 17, 2019
In Derry, Saoirse-Monica Jackson’s face is painted across a wall, several metres high, alongside the four other lead cast members of Derry Girls. The mural was unveiled earlier this year to celebrate the second season of the Channel 4 hit comedy, and has been warmly received by residents of the Northern Irish city.
Continue reading “Derry Girl Saoirse-Monica Jackson: ‘Yes, we have a harsh sense of humour’”
Published in The Independent January 25, 2019
You might have seen Arinzé Kene around last year. As an actor, he began 2018 on stage in the West End transfer of Girl from the North Country, Conor McPherson’s play featuring the songs of Bob Dylan, before cropping up on the small screen in the BBC’s thriller Informer, and in Netflix’s musical Been So Long opposite Michaela Coel.
Continue reading “Arinzé Kene on writing about the London riots, starring in Arthur Miller and shaking up the West End”