Published in The Independent May 31, 2019
It is 44 years since Patti Smith released her debut album Horses, a volcano of a record that was not just startlingly vivid and assured for a debut but also a genre-busting game changer.
Continue reading “Patti Smith interview: ‘Mozart was a punk rocker’”
Published in the i May 23, 2019
Cate Le Bon has spent just over a decade carving her own musical niche, via surreal lyrics sung in a deep, deadpan voice, angular guitar parts and wonky, ear-snagging melodies. I’m meeting her ostensibly to talk about her fifth album, Reward. Instead, we’re chatting about furniture.
Continue reading “Cate Le Bon: ‘I’d play piano to stop thinking about chairs’”
Published in The Independent February 15, 2019
“To anyone I have ever hurt, however unintentionally, I apologise deeply and unreservedly.” So tweeted Ryan Adams when The New York Times article on the singer-songwriter’s alleged sexual misconduct and manipulative behaviour towards women was published this week. His forthcoming album has been pulled; he’s reportedly being investigated by the FBI over the allegations that he exchanged explicit messages with an underage girl.
Continue reading “The Ryan Adams revelations are all too familiar. Time’s up for the tortured male genius myth”
Published in The New York Times February 3, 2019
The stage filled with women in Princess Diana masks, smashing VHS cassettes with hammers. A dancer wove her way through a bar, muttering about kittens. A figure wrapped in a filthy comforter emerged from a tent, crawling among clubbers dressed in fetish gear.
I wrote about The Yard – London’s only theater-slash-nightclub – for the New York Times. You can read the full piece here.
When you think of LSD, a very specific aesthetic probably leaps to mind: the psychedelic pink-and-orange swirls of the 60s; naked people with flowers in their hair; the shimmer of a sitar. After its psychedelic properties were accidentally discovered in the lab by Albert Hofmann in 1943, the drug was banned in the UK in 1966. LSD is still most strongly associated with hippies who embraced its mind-expanding properties. Continue reading “How LSD influenced Western culture”
When playwright Gary McNair was asked who should provide the music for his new play Square Go, there was only one answer: Frightened Rabbit. He’d been friends with the Scottish indie rock band for years – as well as being a huge fan – and had been waiting for a chance to work with them on the right show. Continue reading “‘It was therapeutic’: How Frightened Rabbit found solace making music for a new play, following the death of Scott Hutchison”
Womad’s great strength is its eclecticism: there are bands from right across the globe, offering glimpses into lesser-known musical traditions from more than 50 countries, or slamming them together in unexpected combinations. Continue reading “Review: WOMAD festival, Charlton Park”
In 1968, The Beatles got in a yellow submarine and sailed away to the sea of green – on screen at least – in an animated caper designed to fulfil their three-picture contract for United Artists, without much effort on their part. Continue reading “Why The Beatles’ Yellow Submarine is a trippy cult classic”
Choreographer Botis Seva was born in south London in 1991 and raised in Dagenham. After training with hip-hop dance company Avant Garde, he set up his own company, Far from the Norm, whose work blends hip-hop with experimental theatre and dance. Continue reading “Botis Seva: ‘We need a massive shift in the dance work put on stage’”
“I have been fighting for vaginas for a very long time now.” Rhiannon Faith is smiling, but she’s also completely serious. The choreographer’s work, too, exists on this tightrope: her latest show is an immersive dance party about domestic violence. Continue reading “Smack That: domestic violence survivors celebrate resilience in dance”