Published in The Stage November 5, 2020
“No day but today, no day but today.” The last lines of Jonathan Larson’s 1993 musical Rent have surely never felt quite so applicable: opening night here is also closing night.
Continue reading “Review: Rent, Hope Mill Theatre”
Published in The i paper October 28, 2020
“I had this anxiety that I would just be extremely rusty,” says Tinuke Craig, with an apologetic smile, when I ask how it feels to be back in a rehearsal room. While the director is thrilled to be preparing for a socially distanced production and live stream of Sarah Kane’s stark, poetic play Crave at Chichester Festival Theatre, she was nervous about getting back to work, too.
Continue reading “Tinuke Craig: ‘Part of me feels Black Lives Matter brought people together; part thinks people were bored’”
Published in The Observer September 27, 2020
Last summer, the Observer profiled a group of newly-appointed artistic directors – a fresh surge of talent taking its place at the top of six of our best-loved theatre companies. A notably diverse cohort, they were bursting with optimism and ideas for shaking up the industry.
Continue reading “‘There will be positives’: artistic directors on theatre’s terrible year”
Published in The New York Times May 20, 2020
There’s a voice inside your head, and it’s telling you the story of a man who went into the Amazon and came out with a new understanding of human consciousness. It whispers in your left ear, then your right. Then it seems to take up residence right inside your skull.
Continue reading “3-D Sound and a Zoom Apocalypse: The Plays That Come to Life Online”
Published in Exeunt May 23, 2020
Revisiting a piece of art can be like time travel. You come face-to-face with your former self in the pages of a book re-opened after years on the shelf, or in an album that whisks you back to a distant summer, a different you.
Continue reading “Revisiting The Encounter”
Published in Time Out March 19, 2020
There’s probably a German word for the precise feeling of frustration you get watching Globe artistic director and world-class Shakespearean actor Michelle Terry sat on stage, not playing one of the thorniest parts in Shakespeare.
Continue reading “Review: The Taming of the Shrew, The Globe”
Published in The Mail on Sunday March 7, 2020
If you’ve ever wondered how the 1990 movie Pretty Woman, which made a fairytale romcom out of a rich-man-meets-prostitute premise, would fare in the age of #MeToo – well, this production won’t help.
Continue reading “Review: Pretty Woman: The Musical, Piccadilly Theatre”
Published in The Observer February 16, 2020
It’s often said that Nora’s slam of the door as she walks out on her husband and children at the end of A Doll’s House has echoed down the centuries. In Stef Smith’s smart new version of Ibsen’s 1879 play, her story certainly reverberates: Smith reimagines Nora in 1918, in 1968, and in 2018.
Continue reading “Review: Nora: A Doll’s House, Young Vic”
Published in BBC Culture February 3, 2020
If we hear at all about Britain’s involvement in slavery, there’s often a slight whiff of self-congratulation – for abolishing it in 1833, 32 years ahead of the US, where the legacy of slavery is still more of an open wound. Less well known, however, is the enormous cost of this decision for the taxpayer – the British government spent £20 million, a staggering 40% of its budget in 1833, to buy freedom for slaves.
Continue reading “How Britain is facing up to its hidden slavery history”