Review: Hedwig and the Angry Inch, Leeds Playhouse

Published in The Independent April 7, 2022

It seems wild that the UK hasn’t been treated to a major, full-scale production of Hedwig and The Angry Inch since its West End iteration closed early in 2000 – especially given the subsequent cult status of the 2001 film version.

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Review: She Loves Me, Sheffield Crucible

Published in The Telegraph December 17, 2021

What a treat this is: a delicious romcom, staged with real wit and elan, so that it feels genuinely both romantic and very funny – not something revivals of old musicals always manage to pull off.

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Critic under the spotlight: the 12-hour play showcasing everyday jobs

Published in The Stage October 27, 2021

The theatre critic’s job is largely conducted in darkness and silence: we watch other people perform from the gloom of the stalls, and then write about it. But last Saturday, the spotlight – and the microphone – was quite literally turned on me, as I was grilled about my job in front of an audience on stage at Leeds Playhouse.

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Theatre goes hyper-local: Paines Plough brings its pop-up stage to Brixton

Published in the Evening Standard August 16, 2021

There’s a new pop-up coming to Brixton – and it’s not a trend-setting bar or foodie destination, but a theatre. Roundabout, an in-the-round venue run by theatre company Paines Plough, will sprout in Slade Gardens this month, offering ten days of live performance: four new plays performed in rep, plus cabaret, comedy and community workshops.

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Why Alice is the ultimate icon of children’s books

Published in BBC Culture May 12, 2021

For books that are all about surprising transformations, it should perhaps be no real surprise that Alice’s Adventures in Wonderland and Through the Looking-Glass are among the most frequently adapted and reinterpreted stories ever written.

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A Midsummer Night’s Dream, Sprinkled With High-Tech Fairy Dust

Published in The New York Times March 12, 2021

“A Midsummer Night’s Dream” may be one of Shakespeare’s most performed plays — but its latest version from the Royal Shakespeare Company will be unlike any seen before. Titled “Dream,” the 50-minute streamed production fuses live performance with motion-capture technology, 3-D graphics, and interactive gaming techniques that let the audience remotely guide Puck through a virtual forest.

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