Charlie Josephine is done writing plays that just point out a problem – they’ve decided their work needs to at least attempt to offer some solution, however imperfect.
Continue reading “Charlie Josephine: ‘The backlash to I, Joan was painful – but we saw it coming’”Category: Theatre
Travis Alabanza on Sound of the Underground: ‘Who can make a show about money fun? Only drag performers’
Travis Alabanza is taking over: this month, the writer and performer leads a group of London’s underground cabaret legends as they go above ground – all the way to the main stage of the Royal Court theatre.
Continue reading “Travis Alabanza on Sound of the Underground: ‘Who can make a show about money fun? Only drag performers’”Review: WARHOLCAPOTE, Rob Roth
In 1948 a young Andy Warhol read Truman Capote’s first novel, Other Voices, Other Rooms, and became obsessed with the writer. On moving to New York a few years later, he started sending fan letters to Capote, hanging around outside his house until they got talking, and after that phoned him every day. His first show in the city was called Fifteen Drawings Based on the Writings of Truman Capote.
Review: Betty!, Manchester Royal Exchange
Consider this a spectacular finale to a trilogy about Yorkshire women, from the pen of Maxine Peake: first she immortalised cyclist Beryl Burton, then Hull fishwife Lillian Bilocca, and now Dewsbury’s Betty Boothroyd, the first female Speaker in the House of Commons.
Continue reading “Review: Betty!, Manchester Royal Exchange”Review: The Glass Menagerie, Manchester Royal Exchange
At last, Atri Banerjee’s production of Tennessee Williams’s play sees the light: it was due to be staged in spring 2020. While the cast and team have re-assembled, Banerjee and designer Rosanna Vize completely reworked their plans, to take into account what we’ve all been through since then.
Continue reading “Review: The Glass Menagerie, Manchester Royal Exchange”Three Theaters, Three Plays, One Cast, All at Once
SHEFFIELD, England — Visitors to Tudor Square in the center of this northern English city might spot some unusual figures there this week: a woman sprinting through in a neon boilersuit, or a tutu, or a man running with a box of scissors. And if they look like they’re in a hurry to get somewhere, that’s because they are. These are actors, and they have an entrance to make — on a different stage from the one they just left.
Continue reading “Three Theaters, Three Plays, One Cast, All at Once”Inês De Castro: The macabre tale of the ‘skeleton queen’
It’s a tale as old as time – two lovers unjustly torn apart. But while the story of King Pedro I and his queen Inês De Castro has shades of Romeo and Juliet in its set up, it ends up somewhere altogether more macabre – imagine if Shakespeare’s tale swerved into horror movie territory in the final act.
Continue reading “Inês De Castro: The macabre tale of the ‘skeleton queen’”Review: Hedwig and the Angry Inch, Leeds Playhouse
Published in The Independent April 7, 2022
It seems wild that the UK hasn’t been treated to a major, full-scale production of Hedwig and The Angry Inch since its West End iteration closed early in 2000 – especially given the subsequent cult status of the 2001 film version.
Continue reading “Review: Hedwig and the Angry Inch, Leeds Playhouse”Review: She Loves Me, Sheffield Crucible
Published in The Telegraph December 17, 2021
What a treat this is: a delicious romcom, staged with real wit and elan, so that it feels genuinely both romantic and very funny – not something revivals of old musicals always manage to pull off.
Continue reading “Review: She Loves Me, Sheffield Crucible”Review: Affair of the Heart, Michael Billington
Published in The TLS December 10, 2021
When Michael Billington stepped down as lead theatre critic for the Guardian in 2019, after almost fifty years, it was seen as the end of an era.
Continue reading “Review: Affair of the Heart, Michael Billington”