Published in The New York Times May 20, 2020
There’s a voice inside your head, and it’s telling you the story of a man who went into the Amazon and came out with a new understanding of human consciousness. It whispers in your left ear, then your right. Then it seems to take up residence right inside your skull.
Continue reading “3-D Sound and a Zoom Apocalypse: The Plays That Come to Life Online”
Published in Exeunt May 23, 2020
Revisiting a piece of art can be like time travel. You come face-to-face with your former self in the pages of a book re-opened after years on the shelf, or in an album that whisks you back to a distant summer, a different you.
Continue reading “Revisiting The Encounter”
Published in Time Out March 19, 2020
There’s probably a German word for the precise feeling of frustration you get watching Globe artistic director and world-class Shakespearean actor Michelle Terry sat on stage, not playing one of the thorniest parts in Shakespeare.
Continue reading “Review: The Taming of the Shrew, The Globe”
Published in The Mail on Sunday March 7, 2020
If you’ve ever wondered how the 1990 movie Pretty Woman, which made a fairytale romcom out of a rich-man-meets-prostitute premise, would fare in the age of #MeToo – well, this production won’t help.
Continue reading “Review: Pretty Woman: The Musical, Piccadilly Theatre”
Published in The Observer February 16, 2020
It’s often said that Nora’s slam of the door as she walks out on her husband and children at the end of A Doll’s House has echoed down the centuries. In Stef Smith’s smart new version of Ibsen’s 1879 play, her story certainly reverberates: Smith reimagines Nora in 1918, in 1968, and in 2018.
Continue reading “Review: Nora: A Doll’s House, Young Vic”
Published in BBC Culture February 3, 2020
If we hear at all about Britain’s involvement in slavery, there’s often a slight whiff of self-congratulation – for abolishing it in 1833, 32 years ahead of the US, where the legacy of slavery is still more of an open wound. Less well known, however, is the enormous cost of this decision for the taxpayer – the British government spent £20 million, a staggering 40% of its budget in 1833, to buy freedom for slaves.
Continue reading “How Britain is facing up to its hidden slavery history”
Published in BBC Culture December 2, 2019
Diversity has become a buzzword in the entertainment industries – and if there’s still debate about how much things are really changing, or if moves towards greater representation are too often mere lip service or box ticking, the diversity conversation is at least being had. Do badly, and it will get called out.
Continue reading “Will disabled people ever get the stories they deserve?”
Published by Exeunt November 8, 2020
“Kosovo is the most isolated country in Europe; the citizens are the only ones that can’t travel freely without visas. And so the theatre, too, is isolated.” Jeton Neziraj is on a mission to change that.
Continue reading “Kosovo Theatre showcase”
Published in The FT November 25, 2019
We all know that our data can be bought and sold. The trail of personal information, purchases and preferences we leave across the internet becomes the bedrock for targeted advertising. But could such data be put to more creative use?
Continue reading “The shows where drama meets data”
Published in The TLS November 22, 2019
IAN MCKELLEN The biography Garry O’Connor
BEHIND THE LENS My life David Suchet
Continue reading “Gandalf pays!”