In her new novel What Time is Love?, writer Holly Williams explores how class can divide romantic partnerships. Here, she explains why it’s as big an issue as ever in 2023.
Continue reading ““I had never hung out with people with wealth like that”: why social class still matters in relationships”Category: Uncategorized
What Time is Love? is out in paperback
What Time is Love? is published today in paperback by Orion, as well as being available as an audiobook, eBook and in hardback.
It is being published in 13 countries, including France, Germany, Italy, Estonia, Norway, Turkey and Ukraine.
And the reviews are in…
Continue reading “What Time is Love? is out in paperback”What Time is Love is published!
My debut novel is now out in the world… available in hardback, as an eBook and as an audiobook. For links to online retailers, click here, or The LRB Bookshop and Waterstones in Sheffield have some signed copies!
Continue reading “What Time is Love is published!”Review: Cinderella, Gillian Lynne Theatre
Published in The Mail on Sunday August 21, 2021
Andrew Lloyd Webber’s Cinderella has finally made it to opening night – but while no pumpkin, it’s a little short on theatrical fairy dust.
Continue reading “Review: Cinderella, Gillian Lynne Theatre”
The unseen masterpieces of Frida Kahlo
Published in BBC Culture July 20, 2021
You know Frida Kahlo – of course you do. She is the most famous female artist of all time, and her image is instantly recognisable, and unavoidable. Kahlo can be found everywhere, on T-shirts and notebooks and mugs.
Ian McKellen is the world’s oldest Hamlet. But did Shakespeare ever want his stars to act their age?
Published in The i July 20, 2021
It is 50 years since Ian McKellen last played Hamlet – a stretch of time itself greater than the age of most actors who play Shakespeare’s “sweet prince”. At 82, Sir Ian makes history as the oldest actor to have a stab at the part, in an age-blind production by Sean Mathias at the Theatre Royal Windsor.
Review: Nora: A Doll’s House, Young Vic
Published in The Observer February 16, 2020
It’s often said that Nora’s slam of the door as she walks out on her husband and children at the end of A Doll’s House has echoed down the centuries. In Stef Smith’s smart new version of Ibsen’s 1879 play, her story certainly reverberates: Smith reimagines Nora in 1918, in 1968, and in 2018.
Continue reading “Review: Nora: A Doll’s House, Young Vic”Review: Strange Hotel, Eimear McBride
Published in The Observer January 28, 2020
If you’ve read so much as a sentence of Eimear McBride’s writing, it is likely to have burned into your brain. Her first two novels, A Girl Is a Half-Formed Thing and The Lesser Bohemians, were both written with a ferocious immediacy, in hurtling, viscerally direct prose that captures pre-verbal thought processes “far back in the mind”, as McBride put it.
Continue reading “Review: Strange Hotel, Eimear McBride”Review: Martin Creed’s Words and Music, EIF
Artist Martin Creed’s show defies easy categorisation. He shares some thoughts, from the problem with trousers to the inadequacies of language to explanations of his sculptures. He plays some songs: some illustrate his musings, some are aural non-sequiturs. Continue reading “Review: Martin Creed’s Words and Music, EIF”
Finding paradise on the 4,000 Islands of Laos
As I swing in a hammock, overlooking the Mekong river, the rather poetic name given to this patch of Laos seems apt: Si Phan Don, or 4,000 Islands. Continue reading “Finding paradise on the 4,000 Islands of Laos”