Cats is back – again – with a new leading feline: Beverley Knight. Billing her as the “queen of British soul” might be overselling it, but the pop singer has successfully carved a new career for herself in big-budget musicals: she starred in The Bodyguard and then in Memphis. But can her performance as Grizabella live up to the memory of previous star-turns in Andrew Lloyd Webber’s classic musical? Continue reading “Review: Cats, London Palladium”