Published in The Evening Standard January 21, 2021
While 2020 may be behind us, the new year brings continued uncertainty for the UK’s theatre industry. And if the situation is bleak for staff and freelancers facing shuttered venues, it’s surely even tougher for the next generation of talent: young people still studying – who have had to return to remote learning online this month, as schools and colleges shut once more – as well as those who graduated last summer with little chance of working.
Continue reading “Rehearsing Othello on Zoom: the theatre students pursuing their dream during a pandemic”
Published in The Telegraph November 29, 2020
Pantomime is a cornerstone of Christmas for families up and down Britain – but few cities are quite as committed to it as York. The annual show at York Theatre Royal is a proper local institution, with generations of families booking the same seats year after year, and prompting queues around the block the day tickets go on sale.
Continue reading “‘If people can’t go to the panto then it must go to them’: the birth of The Travelling Pantomime”
Published in The Stage November 5, 2020
“No day but today, no day but today.” The last lines of Jonathan Larson’s 1993 musical Rent have surely never felt quite so applicable: opening night here is also closing night.
Continue reading “Review: Rent, Hope Mill Theatre”
Published in The Observer September 27, 2020
Last summer, the Observer profiled a group of newly-appointed artistic directors – a fresh surge of talent taking its place at the top of six of our best-loved theatre companies. A notably diverse cohort, they were bursting with optimism and ideas for shaking up the industry.
Continue reading “‘There will be positives’: artistic directors on theatre’s terrible year”