How do you review a suicide note? This was the question asked at the premiere of Sarah Kane’s final play, 4.48 Psychosis, at the Royal Court in 2000 – most famously in Michael Billington’s oft-cited review. With a new opera version about to open, this question is no less troubling today. Continue reading “How do you review a suicide note? On Sarah Kane and the myth of troubled women”
Tag: opera
Review: The Skriker, Manchester International Festival
Theatrically, The Skriker has got the bloody lot. This play reminds us what an astonishing writer – a manipulator of words – Caryl Churchill is, and what a fascinating collaborator: the script demands abstract movement, music, song, visual spectacle. Sarah Frankcom’s revival delivers them all up on big silver platters (sometimes literally). Continue reading “Review: The Skriker, Manchester International Festival”