How do you review a suicide note? On Sarah Kane and the myth of troubled women

Published in What's on stage on May 20, 2016

How do you review a suicide note? This was the question asked at the premiere of Sarah Kane’s final play, 4.48 Psychosis, at the Royal Court in 2000 – most famously in Michael Billington’s oft-cited review. With a new opera version about to open, this question is no less troubling today. Continue reading “How do you review a suicide note? On Sarah Kane and the myth of troubled women”