It all started here: one woman, on stage, telling a story. In 2013, Fleabag opened in a small, dank fringe space in Edinburgh, before Phoebe Waller-Bridge turned it into a beloved, era-defining TV comedy, the show that launched her career – and a thousand think pieces.
Continue reading “Review: Fleabag, Wyndham’s Theatre: It’s still brilliant”
Published in the i March 29, 2019
Heard the one about the Quaker? Probably not. After all, the thing Quakers are famous for is being quiet (oh, and oats – but don’t get me started on that marketing lie). The Religious Society of Friends, to give them their fuller name, worship in silence – sitting together in a kind of collective spiritual contemplation – and this unshowy form of faith hasn’t exactly provided many punchlines.
Continue reading “Catastrophe and Fleabag have caught on to the comedic potential of the Quaker meeting”
Looking back at her first play, Vicky Jones says: “I don’t think I’ve written anything as brutal since,” before adding: “I’m sort of appalled and proud at the same time.” Continue reading “Fleabag’s Vicky Jones: ‘After #MeToo, I feel people are more ready to talk’”
The Girls have grown up. The show’s creator Lena Dunham is now in her 30s and the sixth season of her caustic, Brooklyn-based comedy will be the last. It starts this weekend on US TV, and from the trailer it appears there’s as much hook-up angst, mad dancing, and messed-up – but deep-running – friendship as ever. Continue reading “The women making fearless sex comedies”