Review: Remnants, The Print Room

Published in The Telegraph on June 20, 2017

Dubbed an “electro-folk drama” by theatre-maker Patrick Eakin Young, director of the company Erratica, Remnants is a work that resists categorisation – a potent tapestry of song, electronic music, dance and recorded interviews. Continue reading “Review: Remnants, The Print Room”

Review: In the Depths of Dead Love, The Print Room

Published in What's on Stage on January 20, 2017

The action outside the Print Room proves considerably more lively and vital than what’s on stage: on press night, a substantial protest was held against the casting of white actors in Chinese roles in Howard Barker’s play. The issue of ‘yellowface’ was raised when the casting was announced, prompting the Print Room to release an astonishingly tangled and tone-deaf statement. Continue reading “Review: In the Depths of Dead Love, The Print Room”